AUTHOR(S)

Fabrice Corrons

SUMMARY

The socialization (or public closure, among other denominations) of an applied art workshop is a subject
little studied, which raises a series of singular theatrical questions. The aim of this article is therefore
to propose a first reflection of this conclusive moment of the workshop. After a first work of description of the various parameters of a socialization, a characterization study is proposed in three stages: focusing first on the convivial and (re)mediated device; then studying the participation of non-actors from the perspective of the art of kintsugi; finally analyzing the function of the place as a counter-museum.

 

DOI

https://doi.org/10.59486/SSLS1049

COMPLETE DISCHARGE

 

 

 

 

 


Towards a characterization of the socialization
of a performing arts workshop



applied to


populations

migrants


at

situation of

vulnerability

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